Famulus 4.0 unfolds on a 6 x 6 metre platform—bounded yet infinite—where four performers and a robot dog engage in a dialogue between the human and the artificial. Built as a physical autofiction, the piece examines the fragility of social bonds in an age of hyper‑connection and automation. Inspired by the Latin term famulus (servant) and the Fourth Industrial Revolution, it reflects on artificial intelligence, technology and emotional ties in today’s digital world. Designed for public and unconventional spaces, Iron Skulls uses stage breaking to merge the poetic with the disruptive, planting questions about a future that is already here.